下潜 Kolumbáō

该影像记录了艺术家在一座希腊半岛上的旅程，有别于小岛对于一般游客来说的浪漫形象 —— 沙滩、清澈平静的海面、夕阳、丰富的海洋生物、树影，在潜水的过程中，她发现了遗留在海床上的工业人造物，一股莫名的恐惧袭向她。

影片中，你会听到她的呼吸在水中时快时慢，有时突然加速游动，有时又停止不前。

好似“档案”的资料来自她在所住民宿中翻到的书，民宿主是一名当地的历史学家，在她们的交谈中，艺术家了解到了这些人造物的“遗产史”。他们来自Rovies当地最早的一家造纸厂，在那个还没有公共供电的时间，造纸厂的出现使Rovies小镇成为了最早有私人电力的地方，也拥有了和外界沟通的港口。后来，造纸厂不再生产，废弃了。因为去年发生在岛上的洪水，大量的人造物碎片被卷入了海中。

整个影片跟随着艺术家的“下潜”展开，不仅是从陆地表面到海洋内部的深度与空间转变，同时也是从此刻到过去的时间链接。这是一次关于重新理解“探索”和“旅行”的尝试，并探寻岛屿和工业之间的联系纠葛。

The film documents the artist's journey on a Greek peninsula, Evia Island. Unlike the romantic image of the island to the tourist - sandy beach, clear calm sea, sunset, abundant Marine life, tree shadows, during the dive, she discovered the industrial man-made objects left on the seabed, and a sense of fear strikes her.

In the film, you can hear her breathing in and out of the water, sometimes speeding up and sometimes stopping.

The "archives" came from the books she found in the homestay, where she was staying. The host was a local historian, and through their conversations, the artist learned about the "heritage history" of these artifacts. They came from one of the earliest local paper mills in Rovies, an era before public power, which made the town one of the earliest places to have private electricity and a port to communicate with the outside world. Later, the paper mill ceased production and was abandoned. Because of the floods that occurred on the island last year, a large amount of man-made debris was swept into the sea.

The whole film follows the artist's "dive", not only the depth and space transformation from the surface of the land to the interior of the ocean, but also the time link from the present to the past. It is an attempt to reunderstand "exploration" and "travel" and explore the entanglements between islands and industry.